In March 1946 Pablo Picasso paid one of his fortnightly visits to see Henri Matisse in Vence, a few miles inland from Nice. Five years after the medical crisis that had nearly killed him, Matisse, at 76, was still an invalid: he had endured radical colon surgery and much of his work was now done either from a wheelchair or in bed. But, creatively, he was phenomenally fertile in the midst of what he called, with undisguised gratitude and wonder, “his second life”.
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